Contenu
- Anhang I: Skizzen und Entwürfe zu den Nummern 1, 3, 10, 14, 15 und 23
- Anhang II: Erste deutsche Übersetzung (Faksimile-Wiedergabe nach dem Partitur-Erstdruck, Leipzig 1809)
Opera seria in two acts
New Mozart Edition (NMA). II/5/20
As remarkable as the quality of the compositions themselves is the astonishing rapidity with which Mozart composed his last two great operas, “Die Zauberflöte”, K.620, and “La clemenza di Tito”, K.621: From first sketches and drafts to finished products, some 800 pages of music penned within the six-month period from April to September 1791.
Opinions of the work at the time of its première are as varied as the history of its reception. As a “coronation” opera it initially lent itself to court festivities everywhere, and because of its aspect of “clemency”, to charitable events. It survived in its own right as opera seria through the first two decades of the 19th century, then, but for occasional performances (these sometimes with altered or added texts), fell into obscurity for the next 150 years.
Opera seria in two acts
Bärenreiter Urtext
pour: Solistes, chœur à voix mixtes, orchestre
Réduction piano (texte original)
№ d’article: 147419
Bärenreiter Urtext
pour: Solistes, chœur à voix mixtes, orchestre
Partition musicale de poche (texte original)
№ d’article: 607092
Opera seria in two acts
Bärenreiter Urtext
pour: Solistes, chœur à voix mixtes, orchestre
Réduction piano (livre relié, texte original)
№ d’article: 774773
Opera seria in zwei Akten
Wolfgang Amadeus Mozart. Neue Ausgabe sämtlicher Werke (NMA) II/5/20
pour: Solistes, chœur à voix mixtes, orchestre
Livre (commentaire critique)
№ d’article: 762347
Opera seria in zwei Akten
Neue Ausgabe sämtlicher Werke (NMA) II/5/20
pour: Solistes, chœur à voix mixtes, orchestre
Livre (commentaire critique)
№ d’article: 337757